Final Blog: What A Long, Strange Trip It’s Been



Although language has been used to subject people to power, there are also devices within language that are rebellious to control. This is seen in Julia Kristeva’s theory of the genotext, and its reactions against the symbolic order. According to Kristeva, prior to the acquisition of language, we are in the semiotic state. Once we become part of the symbolic order—with proper rules of grammar and such—aspects of the semiotic state are still retained in an energy that Kristeva refers to as “the chora.” This chora is represented in seemingly incoherent rambles (my interpretation) and poetic language, throwbacks to those wonderful days when we gooed and gaaed to the amusement of our parents. In this sense, poetry is a rebellious expression against authority. What a wonderful idea this is! I wonder what Eagleton would say about given his theory about the use of literature to control the masses. And I wonder what Bourdieu would say given his theory of cultural capital. (Would Bourdieu see the reading of William Blake as a rebellious act? Perhaps he would prefer the work of Ice Cube.)

I was also fascinated by the readings about the artist. In particular I enjoyed the reading from “The Painter of Modern Life” (even though the excerpt appears to have been butchered in our theory book. I recall that someone wrote about the * * * in a blog). I enjoyed idea that the great artist is in a constant state of convalescence, seeing everything anew like a child. This reminded me of Kristeva’s theory, which I believe was discussed in class. I was also intrigued by Baudelaire’s concept of the flâneur artist, which I will discuss in another blog, linked below.
A Man of the Crowd: The Flâneur and the Modern Artist
Adios and Au revoir!